A new concept album.

The title should give away the theme, and then some.

Especially if you speak ancient greek and can therefore understand the title of the suite.

This part is the obligatory instrumental introduction.

Starts with a soft bit, blippy synths, jazzy drums, soft pads and some noodley clean guitar solos.

Gets heavy in the second half.

I’ll explain it all when I get to the end of the set of songs.

As much as I can anyway.

Image demonstrated from here

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A song about Boobie Wednesday.

I even made a video for it:

Lyrics:

Verse 1:
What is #boobiewed?
Why are tits in my twitter list?
I guess the wed means Wednesday
And funbags are really fun

Chorus:
It is Boobie Wednesday
So reach in and have a feel
Yes its Boobie Wednesday
Lets stop cancer cos tits are cool

Verse 2:
So on Boobie Wednesday
Make sure to check for lumps
And remind all your friends
Because cancer really sucks

Verse 3:
Boobs aren’t the only cancer
You can get it anywhere
So keep checking with your doctor
To find it and treat it well

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The best way to deal with your addictions is to give into them in a controlled manner.

Lyrics:

Verse 1:
Feel the burn in your brain
As your blood craves a taste
But you try to abstain
From what you once embraced

Chorus:
Compromise
Give into
Your weakness
Taste bleakness

Verse 2:
You might fight for awhile
As the flame burns the fuse
To resist is futile
For no one can refuse

Bridge:
Try to resist
It will insist
Try to desist
It will persist
As you protest
It will infest
As you detest
You will ingest

Image tempted from here

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A normal straight up thrash metal song about killing posers and their crap music.

Except for all the bits that aren’t.

Lyrics:

Verse 1:
I am coming forth
Set to start a war
On all those who pose
Those dumb fucking hos
Who pollute the world
With musical afterbirth

Chorus:
Bludgeoning, destroying
Crushing the weaklings
Death to electro

Verse 2:
Your bland 808
I will desecrate
Vocoder and autotune
Wreckage will be strewn
And your pretty face
I’ll grind into a paste

Pic decapitated from here

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The title is a quote from the book To Hell And Back, by Lilith Saintcrow (the fifth and final title in the Dante Valentine series).

It is used to describe how a certain weapon feels.

As I was reading it I felt that it was a good phrase that sums up how I felt whilst finishing the book.

The song itself is…. weird. It is based around the D#/Eb Moorish Phrygian Scale with a 9/8 time signature, which those who understand what that means would know is not a basis for any kind of normal pop music.

In terms of instrumentation it is mostly synth driven, with a few guitar solos laid over the top in strategic places.

Genre wise, I think the music by Fear Factory, Liquid Tension Experiment and Frank Zappa I listened to last night might just have influenced the style. It ended up in some kind of weird avant-garde jazz fusion place with an industrial edge in the percussion.

Hence me calling it weird.

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