The title is a quote from the book To Hell And Back, by Lilith Saintcrow (the fifth and final title in the Dante Valentine series).
It is used to describe how a certain weapon feels.
As I was reading it I felt that it was a good phrase that sums up how I felt whilst finishing the book.
The song itself is…. weird. It is based around the D#/Eb Moorish Phrygian Scale with a 9/8 time signature, which those who understand what that means would know is not a basis for any kind of normal pop music.
In terms of instrumentation it is mostly synth driven, with a few guitar solos laid over the top in strategic places.
Genre wise, I think the music by Fear Factory, Liquid Tension Experiment and Frank Zappa I listened to last night might just have influenced the style. It ended up in some kind of weird avant-garde jazz fusion place with an industrial edge in the percussion.
A brownie in traditional folklore is a type of elf or fairy or hobgoblin that helps out around the house.
Of course they could be mischievous at times, and I like the idea that every good thing has a dark side. No matter how good something appears to be, there is a capability for it to be evil.
The song itself is an instrumental based around some tribal beats, with some heavy grooving riffs and a lot of dissonance in terms of note and chord selections.
And yes, that picture is completely unrelated…. but it looked tasty.
Music — drchaotica on December 13, 2009 at 10:00 am
We now return you to your regularly scheduled programming….
This song is in my “classic” style. Big distorted guitar riffs, pounding drums and bass, funky keyboards, multiple solos, big hooky chorus, and lyrics with a depressed attitude and a hint of paranoia.
Verse 1:
I want to join into
The true way and there stay
But I drift, form a rift
Between me and the sea
Chorus
Disconnected
Disaffected
Disadapted
Disrespected
Disdirected
Disadapted
Verse 2:
All alone they disown
Who I am with their sham
So I run to no one
For their greed I must bleed
Soft intro with pads and soft guitar solo, rocking middle with keyboard and guitar solos, a bass solo and then the slow, crushing destruction of the end.
Exactly the kind of the unexpected thing you should expect from me.